Without color to distract, the eye is drawn directly to form. In Vol.114, Sakuramakoto Kichijoji uses black-and-white photography to isolate the leg's contours, letting contrast and tonal gradation tell the entire story of elegance.
Without color to distract, the eye is drawn directly to form. In Vol.114, Sakuramakoto Kichijoji uses black-and-white photography to isolate the leg's contours, letting contrast and tonal gradation tell the entire story of elegance.
