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Misandry: Justified, Harmful, Or Maybe Even Necessary?

Avery Pittock Student Contributor, University of California - Santa Barbara
This article is written by a student writer from the Her Campus at UCSB chapter and does not reflect the views of Her Campus.

A few weeks ago, while aimlessly scrolling through TikTok videos, I was grabbed by an unusual caption. The video, posted by a woman simply known as “@LTP823”, features the unique tagline “Teaching my 5-year-old daughter to be a misandrist”. 

LTP remains semi-anonymous on her TikTok account, refraining from sharing her name beyond those three initials, and a brief bio describing her as a divorced mom and book lover from Washington, D.C. Misandry is commonly known as a strong dislike or hatred towards men. Its definition, according to Merriam-Webster, is simply “a hatred of men”. 

The “Misandrist” Method

Immediately intrigued, I went from aimlessly scrolling to being intently focused on the video. LTP explains that her daughter will inevitably be subjected to growing up in a patriarchal society, and that she wants her daughter to go into the world with an “inflated sense of self”.

LTP has deliberately selected female providers to be part of her young daughter’s life, whether as her doctor, dentist, or other professional.

This has so far seemed effective. LTP then goes on to say that her daughter recently asked her if men could also be singers. On a more serious note, she states that she “knows the world is going to beat her daughter down,” and so she wants to make sure that her daughter won’t stand for it. 

She says she has told her daughter that women are smarter than men, and that women have power inside of them, but aren’t as often taken seriously in society, even though they are “better leaders”. LTP delves into her personal experiences in response to questions she felt people might have about why she would possibly “teach her daughter misandry”. 

She explained that as a girl growing up in the Deep South in a Christian and conservative family, it took her a long time to unlearn the very things she is now telling her daughter the opposite of. Ultimately, LTP describes what she is doing as “preparing her daughter for battle”, especially under America’s current administration. 

Public Reactions

The comments under LTP’s post were generally supportive. One woman, who had clearly taken a similar approach to parenting, said that her son “thinks all doctors and dentists are women”.

Another commenter emphasized the importance of monitoring the role religion can play in young children’s lives, by saying she needs to make sure her daughter never feels that “Eve is the reason for a bad world, because that’s where it starts for many.”

Other commenters pushed the discussion further, asking things like “Is it an inflated sense of self or proper self-worth?” or even telling LTP that what she’s doing isn’t encouraging misandry but rather a necessary measure called “overcorrecting,” which is needed in our currently damaged society. 

There was, as there always is in online discourse, a small percentage of viewers whose feathers were ruffled by the term “misandry”.

One person, while still agreeing by saying the creator’s message is “100% correct”, did say that “words matter and that misandry and misogyny are two sides of the same hateful coin.”

Under that comment were a handful of clapbacks, one of which stood out in particular. A commenter named “madmax” replied, saying that “misogyny kills women, misandry makes males upset. There’s a difference”.

LTP also weighed in response to the “hateful coin” retort, stating that misogyny and misandry are not the same because misandry involves prejudice, and misogyny involves prejudice and power. 

While I personally don’t know if the true definition of misandry aligns with what LTP preaches, I understand why she headlined the video the way she did. Not only does it draw immediate attention to the video, which I deem important to be seen, but it also opens the door to a discourse about the weight of words.

As some commenters argued, putting misandry on the same plane as misogyny devalues “misandry” in its sense as used by LTP. 

Misandry As a Tool?

I believe that misandry can be used more flexibly as an idea.

Not only do I believe that, in general, misandry in its true definition is a valid “prejudice” (due to the billions of distasteful actions committed by men every second), but that it can be used as a conceptual vessel for feminist projects, such as that of LTP. 

In addition, misandry as a concept can allow women the opportunity to share their experiences with men, many negative. In my experience, this kind of chatter can range from meaningful to hilarious to even impactful.

My roommate Piper’s TikTok account resides under the handle “@recoveringmisandrist”, however she recently informed me that due to a bad encounter she now considers herself to have relapsed in this journey. 

As for myself, I was lucky enough to live the kind of life that LTP hopes for her child. I spent my early childhood with my dad working from home, and he did more “traditionally feminine tasks” than my mom, who had long workdays and a rougher commute.

I grew up with my dad doing lots of cleaning, making my lunches, making me breakfast every morning, and often making our family dinners. 

I do think growing up in the liberal bubble of Portland, Oregon, must have had an impact on my confidence as a young girl, and I can even remember being confused when reading dated books, for example, where someone makes a crack at the female protagonist’s bravery or intelligence.

I remember being puzzled, because as far as I had been told, women were braver, more curious, and more intelligent. The difference here is that, as a woman, I never thrust this viewpoint upon others negatively. I never felt the urge to tell boys I knew that I felt better than them, because although I was raised in a way that normalized women in power, I was still raised to believe in equality in every sense.

The comment on LTP’s post about “overcorrecting” resonates with me in relation to my upbringing. In a world where men are centralized, no matter how sneakily or subtly, a message is silently sent to our brains about power dynamics. This is why a little aggression (or misandry, if you will) is necessary when it comes to reclaiming and recentering female power.

Hi! My name is Avery Pittock and I am a second year Anthropology and Spanish double major. I'm from Portland Oregon, but have always considered California to be my second home, which ended up leading me to UCSB!

I love all things creative, including music, pop culture (especially from the past), art, and fashion. I am also super interested in different languages and cultures, and have spent a summer with a host family in Oaxaca, Mexico.
Life > Academics

How Gen Z Female Film Majors Are Claiming Their Place In A Film Bro World

Being a woman in male-dominated fields of study can be challenging. And yes, there are of course the obvious male-dominated college majors, like finance and engineering. But the arts are no stranger to the glass ceiling, either — or in the case of the film industry, the “celluloid ceiling.”

At face value, it may look like the difference between women and men film majors is small, with some of the top institutions for film studies appearing evenly split — some even leaning more female than male. But outside of the world of higher education, the difference between male and female filmmakers becomes far more noticeable. Female filmmakers often find themselves struggling against the “celluloid ceiling,” the film industry’s version of the glass ceiling (celluloid being the material historically used to make film) — aka the persistent gap in the number of women being hired in pivotal filmmaking roles, as well as general on-screen representation of women. Take the Academy Awards for example: Only three women have won the Oscar for Best Director, compared to 95 men, in the award show’s 97-year history. (The first time a woman was even nominated for the category wasn’t until 1976.) Additionally, women of color experience this gap differently than white women, with racial diversity in film facing a concerning decline from previous years. 

While these figures may seem discouraging, this generation of female film majors are emerging into the industry intent on making change for the better, no matter how others might view them or their art. The result? A new generation of creatives who are expanding genres, playing with tropes, and telling women’s stories in front of, and behind, the camera. 

Gen Z Women Aren’t Shying Away From Their Film Dreams.

For starters, even just believing in your own talent and finding your way in a male-dominated industry is an act of feminism. For Katherine Lynn Rose, the decision to major in film came from a desire to follow her own oath — rather than doing what was expected of her. “I [majored in] math my first year and was like, ‘I do not enjoy this at all,’” Rose, who is pursuing a master’s degree screenwriting and directing at Columbia University, tells Her Campus. “I really fell in love with [film] because I found that it really combined all of the things I love doing.”

After a decade as a child actress, Makayla Lysiak decided she wanted to be the one telling stories and calling the shots behind the scenes. “I’ve read hundreds of scripts over the years, and suddenly, I started forming opinions about what I was reading,” Lysiak, a writing for screen and television major at the University of Southern California, says. “It gave me some semblance of control over my artistic voice, whereas in acting, you have to wait for a ‘yes’ to be creative.” 

The Celluloid Ceiling Is Antiquated, But Also Still Real.

Despite the empowerment they feel from pursuing this path, many female film students find it hard to be taken seriously. Genres that are seen as “girly” — such as romance and musicals — are often looked down upon. “Me and a lot of my friends tend to like rom-coms, musicals, and Netflix comedies,” Rose says. “To a super artsy, film bro-y kind of world, [these] tend to be looked down upon, [because] these are a lot of the genres that teenage girls and women tend to enjoy.” But, as Rose notes, these films are “popular and successful for a reason,” and deserve their flowers — regardless of (or, maybe, because of) how “girly” they are.

But the struggle to be taken seriously as a filmmaker doesn’t stop many of these students — for some, it actually fuels them. “Going into college, I already had the mindset that I might not always be taken as seriously, especially as a Black woman,” Marissa Baker, a cinematic arts major at Indiana University Bloomington, says. “I knew if I wanted to be recognized as a filmmaker, I had to truly lock in and prove myself through my work … When it comes to female filmmakers, I think they are some of the strongest storytellers out there. I just wish it were easier for us to share our stories. Often, we have to work twice as hard, but that reality motivates me even more.”

Despite the (wrong) assumptions that women don’t make “serious” films, female film students — especially women of color — actually find themselves gravitating toward more “serious” subjects. Sometimes, that’s due to a sense of duty, a responsibility to create films with strong messages and highlight issues like feminism and misogyny. This isn’t really expected of their male counterparts. “I choose some hard topics that may go unseen or need more attention … [but] while women can use their platform to talk about sexism and misogyny, it shouldn’t solely be on them,” Baker says. 

But for some, though, sending a strong message is essential to creating their art. “Everything we make, everything we write, every word that we say is because of … where we come from and our experiences,” Ziyu Gao, a film and business student at the University of Southern California, says. “The message that I want to send is that I’m a strong Asian filmmaker, who is a woman, and can make great films.”

The Female Filmmaker Community Is Strong — and Powerful.

The importance of women supporting women cannot be understated, and that’s abundantly clear in the film world. 

In high school film classes, Gao often felt her ideas were ignored by her male classmates. And while there are still challenges, she’s thriving as a female filmmaker in college, thanks in large part to the community that surrounds her. “[At] film school, luckily, there’s a lot of female filmmakers,” Gao says. “I’ve been so grateful to have worked with an all-female crew, an all-female cast … and this environment that is so much more diverse than what I was used to.”

Sally Pan, a character animation major at the California Institute of the Arts, believes women in her industry are helping open doors for more diverse stories to be told. “Female filmmakers are making more and more impact in the industry,” she says, citing Maggie Kang’s KPop Demon Hunters and Domee Shi’s Turning Red as examples. “Women are bringing to life female characters in bold and authentic ways.”

While there is still more work to be done, these film majors are hopeful that more progress is on the horizon. “I think the future is bright for female filmmakers as long as women keep taking risks with their art and stick to [their] truth,” Lysiak says. “Especially as audiences become more sophisticated as well … [audiences] want things that are new and nuanced, and they want underrepresented voices.”

Grace Khan

Merrimack '27

Grace Khan is a National Writer for Her Campus, as well as a member of the Merrimack College chapter of Her Campus. While double majoring in Secondary Education and English, she is involved in the Merrimack College Honors Program, the Kappa Omicron Chapter of Zeta Tau Alpha, and Merrimack’s Panhellenic Council.
Grace writes about culture and politics, as well as the larger impact they have on the way she experiences the world as a woman. She hopes to make an impact through her writing through well-researched informational articles as well as meaningful storytelling. If she’s not writing for HerCampus, she can be found reading, researching for her next article, doing Pilates, and driving to and from campus.
Her Campus x COVERGIRL

Mascara Madness: 4 Lash Looks To Try This Basketball Szn

This is a sponsored feature. All opinions are 100% from Her Campus.

 

Of all the players in your beauty roster, mascara is the team captain. She’s the one who shows up to every game day, 8 a.m. class, and early-morning practice, and somehow makes it look effortless. No team is complete without its captain, and no beauty look — whether it’s full glam with a bold lip or clean and simple with glowy skin — is complete without statement-making lashes to pull it all together. And during college basketball season, the right lashes can take your game-day beauty from mid to championship-worthy. 

Whether you’re in the student section repping your team, hosting a watch party in your dorm, or lacing up to crush it on the court, your lashes deserve starter status. Think: formulas that stay put from tip-off to overtime, length that deserves its own highlight reel, and bold volume that pops in every post-game pic. 

Here are four all-star lash looks to try this season, and the COVERGIRL mascara MVPs that make each one a slam dunk.

1. Buzzer-Beater Volume

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4. Clean & Coach-Approved

The Play: Like a well-coached team, this look delivers maximum impact. Every lash is lifted, lengthened, and volumized for a bold yet weightless vibe that’s ready to bring home the trophy.

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With these mascara MVPs, your game-day beauty look is sure to take home the trophy. Ready to start building your team? Shop the full COVERGIRL Lash Blast lineup!

Katy Gioeli

U Conn '18

Katy is a Branded Content Editor at Her Campus Media. She graduated from the University of Connecticut in 2018, where she studied communication and was a College Fashionista Community Member. When she’s not dreaming up new branded content ideas, you can find her trying new restaurants, taking hundreds of pictures of her cat, Willow, or enjoying her latest romantasy book obsession and an iced matcha latte.